pile-audio refactor

This commit is contained in:
2026-02-21 19:19:41 -08:00
parent 5aab61bd1b
commit 6286719e88
136 changed files with 1995 additions and 3390 deletions

View File

@@ -0,0 +1,121 @@
Creative Commons Legal Code
CC0 1.0 Universal
CREATIVE COMMONS CORPORATION IS NOT A LAW FIRM AND DOES NOT PROVIDE
LEGAL SERVICES. DISTRIBUTION OF THIS DOCUMENT DOES NOT CREATE AN
ATTORNEY-CLIENT RELATIONSHIP. CREATIVE COMMONS PROVIDES THIS
INFORMATION ON AN "AS-IS" BASIS. CREATIVE COMMONS MAKES NO WARRANTIES
REGARDING THE USE OF THIS DOCUMENT OR THE INFORMATION OR WORKS
PROVIDED HEREUNDER, AND DISCLAIMS LIABILITY FOR DAMAGES RESULTING FROM
THE USE OF THIS DOCUMENT OR THE INFORMATION OR WORKS PROVIDED
HEREUNDER.
Statement of Purpose
The laws of most jurisdictions throughout the world automatically confer
exclusive Copyright and Related Rights (defined below) upon the creator
and subsequent owner(s) (each and all, an "owner") of an original work of
authorship and/or a database (each, a "Work").
Certain owners wish to permanently relinquish those rights to a Work for
the purpose of contributing to a commons of creative, cultural and
scientific works ("Commons") that the public can reliably and without fear
of later claims of infringement build upon, modify, incorporate in other
works, reuse and redistribute as freely as possible in any form whatsoever
and for any purposes, including without limitation commercial purposes.
These owners may contribute to the Commons to promote the ideal of a free
culture and the further production of creative, cultural and scientific
works, or to gain reputation or greater distribution for their Work in
part through the use and efforts of others.
For these and/or other purposes and motivations, and without any
expectation of additional consideration or compensation, the person
associating CC0 with a Work (the "Affirmer"), to the extent that he or she
is an owner of Copyright and Related Rights in the Work, voluntarily
elects to apply CC0 to the Work and publicly distribute the Work under its
terms, with knowledge of his or her Copyright and Related Rights in the
Work and the meaning and intended legal effect of CC0 on those rights.
1. Copyright and Related Rights. A Work made available under CC0 may be
protected by copyright and related or neighboring rights ("Copyright and
Related Rights"). Copyright and Related Rights include, but are not
limited to, the following:
i. the right to reproduce, adapt, distribute, perform, display,
communicate, and translate a Work;
ii. moral rights retained by the original author(s) and/or performer(s);
iii. publicity and privacy rights pertaining to a person's image or
likeness depicted in a Work;
iv. rights protecting against unfair competition in regards to a Work,
subject to the limitations in paragraph 4(a), below;
v. rights protecting the extraction, dissemination, use and reuse of data
in a Work;
vi. database rights (such as those arising under Directive 96/9/EC of the
European Parliament and of the Council of 11 March 1996 on the legal
protection of databases, and under any national implementation
thereof, including any amended or successor version of such
directive); and
vii. other similar, equivalent or corresponding rights throughout the
world based on applicable law or treaty, and any national
implementations thereof.
2. Waiver. To the greatest extent permitted by, but not in contravention
of, applicable law, Affirmer hereby overtly, fully, permanently,
irrevocably and unconditionally waives, abandons, and surrenders all of
Affirmer's Copyright and Related Rights and associated claims and causes
of action, whether now known or unknown (including existing as well as
future claims and causes of action), in the Work (i) in all territories
worldwide, (ii) for the maximum duration provided by applicable law or
treaty (including future time extensions), (iii) in any current or future
medium and for any number of copies, and (iv) for any purpose whatsoever,
including without limitation commercial, advertising or promotional
purposes (the "Waiver"). Affirmer makes the Waiver for the benefit of each
member of the public at large and to the detriment of Affirmer's heirs and
successors, fully intending that such Waiver shall not be subject to
revocation, rescission, cancellation, termination, or any other legal or
equitable action to disrupt the quiet enjoyment of the Work by the public
as contemplated by Affirmer's express Statement of Purpose.
3. Public License Fallback. Should any part of the Waiver for any reason
be judged legally invalid or ineffective under applicable law, then the
Waiver shall be preserved to the maximum extent permitted taking into
account Affirmer's express Statement of Purpose. In addition, to the
extent the Waiver is so judged Affirmer hereby grants to each affected
person a royalty-free, non transferable, non sublicensable, non exclusive,
irrevocable and unconditional license to exercise Affirmer's Copyright and
Related Rights in the Work (i) in all territories worldwide, (ii) for the
maximum duration provided by applicable law or treaty (including future
time extensions), (iii) in any current or future medium and for any number
of copies, and (iv) for any purpose whatsoever, including without
limitation commercial, advertising or promotional purposes (the
"License"). The License shall be deemed effective as of the date CC0 was
applied by Affirmer to the Work. Should any part of the License for any
reason be judged legally invalid or ineffective under applicable law, such
partial invalidity or ineffectiveness shall not invalidate the remainder
of the License, and in such case Affirmer hereby affirms that he or she
will not (i) exercise any of his or her remaining Copyright and Related
Rights in the Work or (ii) assert any associated claims and causes of
action with respect to the Work, in either case contrary to Affirmer's
express Statement of Purpose.
4. Limitations and Disclaimers.
a. No trademark or patent rights held by Affirmer are waived, abandoned,
surrendered, licensed or otherwise affected by this document.
b. Affirmer offers the Work as-is and makes no representations or
warranties of any kind concerning the Work, express, implied,
statutory or otherwise, including without limitation warranties of
title, merchantability, fitness for a particular purpose, non
infringement, or the absence of latent or other defects, accuracy, or
the present or absence of errors, whether or not discoverable, all to
the greatest extent permissible under applicable law.
c. Affirmer disclaims responsibility for clearing rights of other persons
that may apply to the Work or any use thereof, including without
limitation any person's Copyright and Related Rights in the Work.
Further, Affirmer disclaims responsibility for obtaining any necessary
consents, permissions or other rights required for any use of the
Work.
d. Affirmer understands and acknowledges that Creative Commons is not a
party to this document and has no duty or obligation with respect to
this CC0 or use of the Work.

View File

@@ -0,0 +1,127 @@
# Group subset
The FLAC format specifies a subset of itself to ensure
streamability and limits the decoding requirements for hardware
implementations. The reference FLAC encoder will enforce this
subset unless specifically disabled.
The files in this group are considered a baseline for general
decoders: these files should be properly decoded or properly
rejected before playback is attempted by any decoder. A
decoder can choose to reject certain files, for example
multichannel files, files with high or unusual samplerates,
files with a high bit depth. Crashing or mangled playback of
these files is probably going to be noticed by unsuspecting
users of a decoder. Read the README.txt in the directory
subset for details on each file.
## Files \#1 - \#27
The first 10 files tests 44.1kHz, 16-bit audio with various
blocksizes that are within subset.
Files 11 through 23 tests the ability to decode FLAC files
with various features that are within subset but aren't used
often.
- File 11 uses the maximal allowed rice partition order (8)
- File 12 uses the maximal allowed qlp precision (15)
- File 13 uses the smallest sane qlp precision (2)
- File 14 uses wasted bits
- File 15 uses only 'verbatim' frames
- File 16 uses rice escape codes and partition order 8
- File 17 uses all possible fixed orders (especially order 0 which isn't used often)
- File 18 is encoded with precision search, using qlp precisions between 3 and 15
- File 19 uses a samplerate of 35467Hz
- File 20 uses a samplerate of 39kHz
- File 21 uses a samplerate of 22050Hz
- File 22 has 12 bits per sample
- File 23 has 8 bits per sample
Files 24 through 27 test the ability to decode a FLAC file with
a variable blocksize. This is a subset feature which is
currently (August 2021) only implemented in the Flake decoder
and its forks/decendants and is not enabled by default.
With the release of FLAC 1.2.0 in July 2007, the FLAC
specification was augmented to more clearly signal variable
blocksize streams by the use of a special bit in the header.
File 24, 25 and 26 use this format. File 27 follows the old
specification, which is much harder to detect
- File 24 uses the current format and is created by flake r264
- File 25 uses the current format and is created by a modified flake r264 creating smaller blocks
- File 26 uses the current format and is created by CUETools.Flake 2.1.6
- File 27 uses the old format and is created by flake 0.11
## Files \#28 - \#37
Files 28 through 37 test the ability to decode various
high-resolution FLAC file (96kHz, 24-bit)
- File 28 uses default settings
- File 29 uses the largest allowed blocksize (16384)
- File 30 uses non-standard blocksize 13456
- File 31 uses only 32th order predictors
- File 32 uses escape codes and partition order 8
- File 33 is upsampled to 192kHz
- File 34 is upsampled to 192kHz, uses blocksize 16384, 32th
order predictors only, maximum LPC precision and maximum
partition order
- File 35 uses non-standard samplerate 134560Hz
- File 36 is upsampled to 384kHz
- File 37 has 20 bits per sample
## Files \#38 - \#44
Files 38 through 43 test the ability to decode various
multichannel FLAC files. Each file contains a voice description
of the channels present, so as to see whether the channels are
decoded in the correct lay-out.
- File 38 is 3.0-channel (left, right, center)
- File 39 is 4.0-channel or quadraphonic
- File 40 is 5.0-channel
- File 41 is 5.1-channel
- File 42 is 6.1-channel
- File 43 is 7.1-channel
File 44 tests the ability to decode a file with the highest
possible data input per second, staying within subset and using
a standard samplerate. It also only uses 32th order predictors
at the highest possible predictor precision and the largest
blocksize allowed within the FLAC subset making it especially
challenging to decode.
## Files \#45 - \#59
Files 45 through 59 test the ability to handle various streams
with valid but rather unusual or extreme metadata.
- File 45 has 'unknown number of samples' in STREAMINFO
- File 46 has maximum and minimum framesize set to 'unknown'
- File 47 has only a STREAMINFO block
- File 48 has an extremely large SEEKTABLE
- File 49 has an extremely large PADDING block
- File 50 has an extremely large PICTURE block (JPG of 15.8MB)
- File 51 has an extremely large VORBISCOMMENT block
- File 52 has an extremely large APPLICATION block
- File 53 has a CUESHEET block with absurdly many indexes
- File 54 with the same 20 VORBISCOMMENTs repeated 1000 times
- File 55 has the metadata of track 47-52 combined
- File 56 has a PICTURE with mimetype image/jpeg
- File 57 has a PICTURE with mimetype image/png
- File 58 has a PICTURE with mimetype image/gif
- File 59 has a PICTURE with mimetype image/avif
## Files \#60 - \#64
Miscellaneous, later additions
- File 60 is mono audio
- File 61, 62 and 63 are signals with rather extreme
characteristics that might trigger overflow if a decoder
uses 32-bit integers to calculate the predictor where 64-bit
integers are appropriate
- File 64 contains rice codes with escape code zero